WEBSITE UNDER CONSTRUCTION
SPRING RELIEF CASTING WORKSHOP
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764—39/23
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LOVE MUSSEL
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SEAGULL
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INTERNATIONAL IRON CONFERENCE
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FERRIERS STAND
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SILVER RING
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CANDLE STICKS
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TRYPTIC
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JELLY PRINTS
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ALIEN CHILD RISING
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NEW RITUALS, NEUE RITUALE
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SEMI CIRCLES
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LIFE IS TOO SHORT TO BE SERIOUS ALL THE TIME
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I NEED A LIFETIME (AND) BEYOND LOVER
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LET ME ENTERTAIN YOU
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COMFORTED BY THE ANTHROPOCENE
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ACT III, SCENE 1
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RESEARCH INTO A CULTURAL APEX AND THE VOICE
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FIRE; ATTEMPT 2
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ECHOES (PART ONE)
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OBSERVATIONS AND PROPOSITIONS
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I ♥ MEDUSA
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i...
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DISPLAY OF TEXTILES
An experiment in using textiles in an exhibition format, my textile experiments emerge as canvases, each telling stories akin to landscapes. These pieces hope to weave together the essence of my artistic exploration with the histories embedded in the textiles themselves.
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An experiment in using textiles in an exhibition format, my textile experiments emerge as canvases, each telling stories akin to landscapes. These pieces hope to weave together the essence of my artistic exploration with the histories embedded in the textiles themselves.
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Glasgow
2016
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2016
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FOUNDATIONS IN WEAVING
With Foundation in Weaving I am immersing myself in a medium that resonates deeply with my exploration of pivotal moments in human cultural and evolutionary development, I am delving into the origins of mass-produced clothing and textiles, unraveling narratives of craftsmanship, heritage, and the profound impact of industrialization on these everyday materials.
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With Foundation in Weaving I am immersing myself in a medium that resonates deeply with my exploration of pivotal moments in human cultural and evolutionary development, I am delving into the origins of mass-produced clothing and textiles, unraveling narratives of craftsmanship, heritage, and the profound impact of industrialization on these everyday materials.
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Glasgow
2016
2016
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1ARCHIVIST + 1ARCHIVIST = 1ARCHIVIST (?)
Exploring the parallels between Satin Bowerbirds' courtship rituals and archiving, I examine how both collect and display objects to attract mates or preserve memories, reflecting on identity and the digital persona.
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Exploring the parallels between Satin Bowerbirds' courtship rituals and archiving, I examine how both collect and display objects to attract mates or preserve memories, reflecting on identity and the digital persona.
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Glasgow
2015
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2015
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FIRE; ATTEMPT 1
Recognizing fire's intrinsic role in human history but our distance to it’s natural form in modern life, I endeavored to create fire using solely natural materials.
This exploration delves into pivotal moments of cultural and evolutionary development by getting close again to primal forces that shaped contemporary existence.
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Recognizing fire's intrinsic role in human history but our distance to it’s natural form in modern life, I endeavored to create fire using solely natural materials.
This exploration delves into pivotal moments of cultural and evolutionary development by getting close again to primal forces that shaped contemporary existence.
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Glasgow
2015
2015
GATHERED AND DRIED FOR BURNING
A collection of organic materials sourced along the road to Carbeth, meticulously gathered to create a natural tinderbox and build fires
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A collection of organic materials sourced along the road to Carbeth, meticulously gathered to create a natural tinderbox and build fires
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Glasgow
2015
2015
UNTITLED SERIES
This series of drawings explores various line techniques and compositions through deliberate experimentation with cropping and line quality
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This series of drawings explores various line techniques and compositions through deliberate experimentation with cropping and line quality
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Glasgow
2015
2015
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SHYLOCK ON THE FAR SIDE OF THE AEGEAN
The work delves into validation through two figures inspired by real people, paralleling my journey as an artist.
Projections of myself as these characters hang on oposite sides of the room with big glass jars with melting butter in the middle symbolizing the potential for connection, but the delay turns the butter putrid.
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The work delves into validation through two figures inspired by real people, paralleling my journey as an artist.
Projections of myself as these characters hang on oposite sides of the room with big glass jars with melting butter in the middle symbolizing the potential for connection, but the delay turns the butter putrid.
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Amsterdam
2014
2014
ILLUSTRATIONS OF HOMER’S ODYSSEY
The Illustrations of Homer’s Odyssey are deeply rooted in my fascination with this timeless piece of literature. The Odyssey's themes of return journeys and life's cyclical nature resonate with my artistic exploration.
This work represents my journey of experimentation and growth, both in drawing technique and conceptual understanding.
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The Illustrations of Homer’s Odyssey are deeply rooted in my fascination with this timeless piece of literature. The Odyssey's themes of return journeys and life's cyclical nature resonate with my artistic exploration.
This work represents my journey of experimentation and growth, both in drawing technique and conceptual understanding.
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Amsterdam
2014
2014
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I FELL INTO A BURNING RING OF FIRE
A comparative study of electromagnetic radiation and fire in regards to the collective unconscious, when applied to the notion of the nostalgia of food consumption.
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A comparative study of electromagnetic radiation and fire in regards to the collective unconscious, when applied to the notion of the nostalgia of food consumption.
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Amsterdam
2014
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2014
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VIEW MASTER
Born from alchemical research on hermaphrodites, balancing male and female energies, this work was inspired by a dream of a breasted bull. It follows the bull through its morning routine, exploring the sacred in the mundane. Created using a view master, with sequined and foam breasts, and a wax mask.
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Born from alchemical research on hermaphrodites, balancing male and female energies, this work was inspired by a dream of a breasted bull. It follows the bull through its morning routine, exploring the sacred in the mundane. Created using a view master, with sequined and foam breasts, and a wax mask.
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Amsterdam
2014
2014
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SEDER
Seder" is a research-based project reimagining Jewish rituals by attempting to make a pig kosher. Inspired by Peter Shaffer's Equus, the work explores sacredness through unconventional means, including a kosher slaughter knife for pork and tattooed bananas.
Culminating in a meal for 18 guests, "Seder" challenges traditional boundaries and presents a new perspective on ritual and sacredness.
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Seder" is a research-based project reimagining Jewish rituals by attempting to make a pig kosher. Inspired by Peter Shaffer's Equus, the work explores sacredness through unconventional means, including a kosher slaughter knife for pork and tattooed bananas.
Culminating in a meal for 18 guests, "Seder" challenges traditional boundaries and presents a new perspective on ritual and sacredness.
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Amsterdam
2013
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2013
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THE SEVENTH DAY
The Seventh Day investigates the sacred and profane through unconventional mediums: bananas tattooed with a homemade cherry wood tattoo gun, echoing themes of colonialism and human skin.
This project challenges cultural taboos and perceptions of sanctity through transformative symbolism.
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Amsterdam
2013
2013
SWAN
This illustrated storybook, created with pen and ink, along with the accompanying video, explores the theme of a challenging flatmate. These works symbolize a transformative escape from creative blocks and personal challenges, emerging from a week-long intensive residency designed to break creative barriers.
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This illustrated storybook, created with pen and ink, along with the accompanying video, explores the theme of a challenging flatmate. These works symbolize a transformative escape from creative blocks and personal challenges, emerging from a week-long intensive residency designed to break creative barriers.
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Amsterdam
2013
2013
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MATERIAL REFERENCE AND PRACTICE
Investigating how mundane time/objects can be endowed with ‘sacredness’ through delineation of time, repetition of action, labor-intensive processes, and/or ‘noble’ materials.
Performative and material research pulling inspiration from Jewish heritage, while attempting to negate religious connotations by incorporating elements like Treif (bacon in this instance) and imbuing this void with archival Union iconography
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Investigating how mundane time/objects can be endowed with ‘sacredness’ through delineation of time, repetition of action, labor-intensive processes, and/or ‘noble’ materials.
Performative and material research pulling inspiration from Jewish heritage, while attempting to negate religious connotations by incorporating elements like Treif (bacon in this instance) and imbuing this void with archival Union iconography
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Amsterdam
2012
2012
TITLE?
The Lion and other characters were inspired by 'Life is a Dream' by Frances Calderón de la Barca. The mixed media works explore personal histories by staging random encounters of fictional characters through embroidery, pen and ink drawings, video and paper puppets.
Wife of the Gynecologist was performed live at the Francati theater in 2012 as part of the Holland Festival
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The Lion and other characters were inspired by 'Life is a Dream' by Frances Calderón de la Barca. The mixed media works explore personal histories by staging random encounters of fictional characters through embroidery, pen and ink drawings, video and paper puppets.
Wife of the Gynecologist was performed live at the Francati theater in 2012 as part of the Holland Festival
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Amsterdam
2012
2012
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DEATH BY MOUSE AND CHICKEN
A video work challenging anonymity and personal reflection in an exploration of identity, legacy and death by asking participants: “how do you want to be remembered after you die?”
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A video work challenging anonymity and personal reflection in an exploration of identity, legacy and death by asking participants: “how do you want to be remembered after you die?”
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Amsterdam
2010
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2010