Exploring mortality's weight across various time scales, Hautemulle’s practice questions values shaped by finite time. From geological epochs to personal lifetimes, she questions productivity, progress, pleasure, beauty, goodness and value.
How in our mortality, do we consume time?




︎︎︎ michael.hautemulle@gmail.com
︎︎︎ @michaelhautemulle




Exploring mortality's weight across various time scales, Hautemulle’s practice questions values shaped by finite time. From geological epochs to personal lifetimes, she questions productivity, progress, pleasure, beauty, goodness and value.
How in our mortality, do we consume time?

continue reading...


︎︎︎ michael.hautemulle@gmail.com
︎︎︎ @michaelhautemulle

SEDER

Meal for 18 people
One butcher, one embroidered cloth tablecloth, seventeen embroidered cloth napkins, eighteen original dinner plates, four bottles of kosher wine, one Master of Ceremonies, four masks made of fabric and glass beads, one oak cutting board, one painted cloth napkin, one piglet on barbecue, one porcelain bowl, one porcelain water pitcher, two servers, eighteen wine glasses
34:27 minutes
2013


The project reimagines Jewish rituals by attempting to make a pig kosher, creating an oxymoron that contrasts sacred forms with deliberately non-kosher elements. Inspired by Peter Shaffer’s Equus, Seder explores whether it is possible to achieve holiness or sacredness outside the bounds of religious doctrine.

Through unconventional means, such as using a kosher slaughter knife for pork, Seder seeks to subvert the religious weight of traditional symbols and forms. By blending the sacred with the mundane in provocative ways, the project invites a reconsideration of how sacredness can be defined and experienced beyond established religious framework