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	<title>MAMH</title>
	<link>https://michaelhautemulle.com</link>
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	<pubDate>Thu, 22 Aug 2024 15:09:50 +0000</pubDate>
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		<title>Overview</title>
				
		<link>https://michaelhautemulle.com/Overview-5</link>

		<pubDate>Sun, 23 Jan 2022 20:05:33 +0000</pubDate>

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Page under construction&#38;nbsp;
	WITH LOVE


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	Aberdeen2025
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	&#38;nbsp; &#38;nbsp;&#60;img width="5400" height="3600" width_o="5400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/e8ad5d4938d03b35afa0af4e26d8a87e010e978a09c24889d9de21cac4619f78/41.CES-UFS-A-MOI.png" data-mid="246931276" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/e8ad5d4938d03b35afa0af4e26d8a87e010e978a09c24889d9de21cac4619f78/41.CES-UFS-A-MOI.png" /&#62;


	CES ŒUFS À MOI

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	Aberdeen2025

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&#60;img width="1460" height="992" width_o="1460" height_o="992" data-src="https://freight.cargo.site/t/original/i/7e27cd2ef877c61c8f346f961a440bdd51cb911f1092a3eeb86b3ff5827964da/40.-Bodies-at-rest.png" data-mid="216800965" border="0"  src="https://freight.cargo.site/w/1000/i/7e27cd2ef877c61c8f346f961a440bdd51cb911f1092a3eeb86b3ff5827964da/40.-Bodies-at-rest.png" /&#62;


	BODIES AT REST
A solo exhibition of Michael Hautemulle. Open from 21 September to 7 October 2024. 
Opening: 20 September 2024, 19:00-22:00. Arkade Gallery, Aberdeen.

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	Aberdeen2024
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&#60;img width="3574" height="3025" width_o="3574" height_o="3025" data-src="https://freight.cargo.site/t/original/i/cd5e88c238ef942fca54d84ec14677ac25cd86c96a8b248153c8e033f90a9599/39.png" data-mid="207752197" border="0"  src="https://freight.cargo.site/w/1000/i/cd5e88c238ef942fca54d84ec14677ac25cd86c96a8b248153c8e033f90a9599/39.png" /&#62;



	SPRING RELIEF CASTING WORKSHOP

Bas-Relief Jesmonite Casting Workshop was led as part of the Snug Project artist-led workshop initiative

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	Aberdeen2024
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&#60;img width="546" height="357" width_o="546" height_o="357" data-src="https://freight.cargo.site/t/original/i/ce9980aa2af3b9ff5a136b127be6e6da535e809b5ddd12c2c61cd45f3892e0c7/1.png" data-mid="207744374" border="0"  src="https://freight.cargo.site/w/546/i/ce9980aa2af3b9ff5a136b127be6e6da535e809b5ddd12c2c61cd45f3892e0c7/1.png" /&#62;
&#60;img width="1092" height="713" width_o="1092" height_o="713" data-src="https://freight.cargo.site/t/original/i/4378ef0a2ce3ca0a9159640aaeebfa7267b82603cf477a9be1a353e0eb4345cc/2.png" data-mid="207744378" border="0"  src="https://freight.cargo.site/w/1000/i/4378ef0a2ce3ca0a9159640aaeebfa7267b82603cf477a9be1a353e0eb4345cc/2.png" /&#62;
&#60;img width="546" height="357" width_o="546" height_o="357" data-src="https://freight.cargo.site/t/original/i/4f3b99319556c385fb26f91485917042eae78e0bee31b8231413d6da56e67d4e/3.png" data-mid="207744383" border="0"  src="https://freight.cargo.site/w/546/i/4f3b99319556c385fb26f91485917042eae78e0bee31b8231413d6da56e67d4e/3.png" /&#62;
&#60;img width="546" height="357" width_o="546" height_o="357" data-src="https://freight.cargo.site/t/original/i/596cd8ae0959661929900789fb9a691218285b4969922372d13f939eaf85d091/4.png" data-mid="207744386" border="0" data-scale="79" src="https://freight.cargo.site/w/546/i/596cd8ae0959661929900789fb9a691218285b4969922372d13f939eaf85d091/4.png" /&#62;
&#60;img width="1092" height="713" width_o="1092" height_o="713" data-src="https://freight.cargo.site/t/original/i/1219ead276d629e2f21b5a9205c6478be4f9d96642663a6fae325df97ddcc27e/5.png" data-mid="207744389" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/1219ead276d629e2f21b5a9205c6478be4f9d96642663a6fae325df97ddcc27e/5.png" /&#62;


	
LOVE MUSSEL

Juxtaposing the grotesque and the delicate to examine themes of consumption and the illusion of purity, highlighting the tension between artifice and authenticity.

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	Abderdeenshire/ Aberdeen2023

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&#60;img width="869" height="791" width_o="869" height_o="791" data-src="https://freight.cargo.site/t/original/i/1808ef6f9f49c6b5f5d57ea8cb8195c664a50d2b9c1b2612a6db8abe85698c7c/37.Seagull.png" data-mid="207739376" border="0"  src="https://freight.cargo.site/w/869/i/1808ef6f9f49c6b5f5d57ea8cb8195c664a50d2b9c1b2612a6db8abe85698c7c/37.Seagull.png" /&#62;

	SEAGULL 1

A pen and ink drawing, exhibited as part of Alt D: Through Drawing at Arkade Gallery in 2023, reflects on the interaction between nature and industry and its impact on both wildlife and human existence.

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	Abderdeen2023
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&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2c24e5b26a8fcc81069a3529b2230b8184df859233be2a82c0d006af3ce2db55/36--Berlin-Iron.png" data-mid="207733705" border="0"  src="https://freight.cargo.site/w/1000/i/2c24e5b26a8fcc81069a3529b2230b8184df859233be2a82c0d006af3ce2db55/36--Berlin-Iron.png" /&#62;


	
INTERNATIONAL IRON CONFERENCE

Pour Crew for artists George Beasley and Eden Jolly, performance and sculpture, X, at the International Conference on Contemporary Cast Iron Art.

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	Berlin2022
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&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/4644b46dd9c1e76134cc9d7bdb7908aa1388fa9340097229436c87ad1ccd3620/33--Ferriers-Stand2.png" data-mid="207726731" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/4644b46dd9c1e76134cc9d7bdb7908aa1388fa9340097229436c87ad1ccd3620/33--Ferriers-Stand2.png" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/d44c00e2a8a8c296524470361b85324ada6b700db0a7141b86cc6dd99655f44d/33--Ferriers-Stand1.png" data-mid="207726728" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/d44c00e2a8a8c296524470361b85324ada6b700db0a7141b86cc6dd99655f44d/33--Ferriers-Stand1.png" /&#62;

	FERRIERS STAND
Fabricated from steel L-section, horseshoes, old propane bottle, chain, mild steel, and antique agricultural equipment, this work was commissioned from the artist with the purpose of having a ferrier's stand able to change height to accommodate and support the hooves of both a pony and a Clydesdale

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	Aberdeenshire2022
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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d4e6991e37757eb6ff92bc72e6d932a11dc7d03b49f3c518d495c63b4b7aab72/34--Silver-ring2.png" data-mid="207726268" border="0"  src="https://freight.cargo.site/w/1000/i/d4e6991e37757eb6ff92bc72e6d932a11dc7d03b49f3c518d495c63b4b7aab72/34--Silver-ring2.png" /&#62;

	SILVER RING
Hand-modeled and cast sterling silver ring, commissioned from the artist for a 70th birthday gift

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	Aberdeenshire/ Flagstaff2022

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&#60;img width="2647" height="3530" width_o="2647" height_o="3530" data-src="https://freight.cargo.site/t/original/i/9c77aedbd572b69ee45c80347f6c9843f3de8cc890e128afc0da1eab011bcc33/33-Candle-sticks.png" data-mid="182056276" border="0"  src="https://freight.cargo.site/w/1000/i/9c77aedbd572b69ee45c80347f6c9843f3de8cc890e128afc0da1eab011bcc33/33-Candle-sticks.png" /&#62;


	
SHABBAT CANDLE STICKS
Hand forged from mild steel. Commissioned from the artist as a bespoke wedding gift.

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	Aberdeenshire/
Flagstaff2022

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&#60;img width="845" height="1207" width_o="845" height_o="1207" data-src="https://freight.cargo.site/t/original/i/0af0b3e3ae123d7f8fc0fd7eddff69c26f7f3b5d0266275d321235e4198cf9ef/1.jpeg" data-mid="207724597" border="0"  src="https://freight.cargo.site/w/845/i/0af0b3e3ae123d7f8fc0fd7eddff69c26f7f3b5d0266275d321235e4198cf9ef/1.jpeg" /&#62;
&#60;img width="859" height="1256" width_o="859" height_o="1256" data-src="https://freight.cargo.site/t/original/i/d0f047b1a9f7e33edbb55ab23acc303fef9a8b8492f3e49a99edaa0bd1a09209/2.jpeg" data-mid="207724598" border="0"  src="https://freight.cargo.site/w/859/i/d0f047b1a9f7e33edbb55ab23acc303fef9a8b8492f3e49a99edaa0bd1a09209/2.jpeg" /&#62;
&#60;img width="838" height="1178" width_o="838" height_o="1178" data-src="https://freight.cargo.site/t/original/i/4675a065efc6b4f5864e25b2739cdd42a2d2906dffd127718f5a9b9681faef3b/3.jpeg" data-mid="207724599" border="0" data-scale="57" src="https://freight.cargo.site/w/838/i/4675a065efc6b4f5864e25b2739cdd42a2d2906dffd127718f5a9b9681faef3b/3.jpeg" /&#62;

	TRYPTIC
 A series of three works on paper, created using a combination of watercolor and acrylic ink. Building on the themes explored in “Semi-Circles” and “Alien Child Rising,” this series delves into the sensations of growth and transformation. As a self-portrait, it depicts the artist's experience of the body and soul stretching beyond familiar confines into the unknown. The works capture the inherent discomfort and impatience of wanting to change, grow, and learn, while also expressing the hope for calm and equilibrium in a new state of being. The series reflects the struggle inherent in personal evolution and the aspirations toward a more balanced existence.

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	Aberdeenshire
2021

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&#60;img width="2070" height="3024" width_o="2070" height_o="3024" data-src="https://freight.cargo.site/t/original/i/37d45cfd269cd76b5922ffb0dc18cb749b7d23a7898075059aee7304bcb90eec/31--Jelly-prints.png" data-mid="207721932" border="0"  src="https://freight.cargo.site/w/1000/i/37d45cfd269cd76b5922ffb0dc18cb749b7d23a7898075059aee7304bcb90eec/31--Jelly-prints.png" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

	
ON FILLING VOIDS, PROTECTIVE STRUCTURES,&#38;nbsp;JELLY, AND SOULS
Pellentesque tristique quis est vel elementum. Pellentesque ultrices vulputate pharetra. Proin et ex at sem gravida accumsan. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nam aliquet ullamcorper mauris et faucibus. Mauris sed aliquam ipsum, ut scelerisque tortor. Curabitur congue.

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Aberdeenshire2021
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&#38;nbsp;


	
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
&#60;img width="3009" height="3948" width_o="3009" height_o="3948" data-src="https://freight.cargo.site/t/original/i/71dd46903b5b34896bc0068a7384d8bdfb84654291b0cf656db0b76b4dac39b6/30-Alien-Child-Rising.png" data-mid="181480871" border="0"  src="https://freight.cargo.site/w/1000/i/71dd46903b5b34896bc0068a7384d8bdfb84654291b0cf656db0b76b4dac39b6/30-Alien-Child-Rising.png" /&#62;


	
ALIEN CHILD RISING
Is the outcome of a lithography workshop in collaboration with Dutch artists Joop Striker and Ineke Hekman. This work continues an exploration of bodies, semi-circles, circles, celestial forms, and heliacal events.

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Assen
2021


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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
&#60;img width="454" height="568" width_o="454" height_o="568" data-src="https://freight.cargo.site/t/original/i/b9257186966fd792546942e9395a3af003afb56efab071286bbf93baae394234/2_Middle-copy.png" data-mid="181479940" border="0"  src="https://freight.cargo.site/w/454/i/b9257186966fd792546942e9395a3af003afb56efab071286bbf93baae394234/2_Middle-copy.png" /&#62;


	
NEW RITUALS, NEUE RITUALE
New Rituals/Neue Rituale is a collective artists' book featuring emerging artists from Scotland and Austria, including Michael Hautemulle with works such as On Filling Voids, Protective Structures, Jelly, and Souls. Curated by Oktavia Schreiner, the book is a work of art that delves into the deep connection between rituals, art, and human experience. It examines how rituals offer structure and meaning in our lives, especially in the context of the post-Enlightenment era and the impacts of the Covid-19 pandemic

Read more
	Scotland/
Austria
2021

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	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="1804" height="1804" width_o="1804" height_o="1804" data-src="https://freight.cargo.site/t/original/i/abe45dc93d80c62d011063ef8204a52de97fd67fe1a335b134c459ff11ebe12e/28--First-two-semis.png" data-mid="174020706" border="0"  src="https://freight.cargo.site/w/1000/i/abe45dc93d80c62d011063ef8204a52de97fd67fe1a335b134c459ff11ebe12e/28--First-two-semis.png" /&#62;




	SEMI CIRCLES
Experiments on Paper explores the interplay between rigid geometric forms, particularly semi-circles, and the fluid characteristics of paint. This series investigates the contrast between structured geometry and the organic, dynamic qualities of paint application.

Read more
	Aberdeenshire
2021-
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&#38;nbsp;
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/cfa3685b268655526fe5b14b7706d7824ba6910a18f0b4d3fe1129507e7ad0bf/QR_Tinder-a-life-time-and-beyond-lover.png" data-mid="222388253" border="0"  src="https://freight.cargo.site/w/500/i/cfa3685b268655526fe5b14b7706d7824ba6910a18f0b4d3fe1129507e7ad0bf/QR_Tinder-a-life-time-and-beyond-lover.png" /&#62;
&#38;nbsp;

	LIFE IS TOO SHORT TO BE SERIOUS ALL THE TIME
An exhibition&#38;nbsp;curated by Georgia Stephenson, in which artists Jack Evans, Michael Hautemulle and Richard Müller employ comedy to deal with issues arising from and grappling with the understanding of our current geological era, the Anthropocene.
Read more
	London
2018

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&#38;nbsp;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/ac08165cbe80b85c930eedbecdecbce30905d4c5f4677681895b939715096810/26--I-need-a-lifetime-and-beyong-lover.jpg" data-mid="174000905" border="0"  src="https://freight.cargo.site/w/800/i/ac08165cbe80b85c930eedbecdecbce30905d4c5f4677681895b939715096810/26--I-need-a-lifetime-and-beyong-lover.jpg" /&#62;


	I NEED A LIFETIME (AND) BEYOND LOVER
Exploring human connection, mortality, and the search for meaning in the face of our inevitable death. The work bridges the personal and the geological, using the rock as a symbol of permanence and continuity in contrast to human fragility and transience.

Read more
	Isle of Eigg/ Glasgow/
London/
 Aberdeenshire/ Aberdeen
2016-18+∞

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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="1401" height="1401" width_o="1401" height_o="1401" data-src="https://freight.cargo.site/t/original/i/d7d12cf13d241f87639d119a94bf9107fab493f3bc55af51c2ec7cb332cfe8df/25--Let-me-entertain-you.png" data-mid="174000492" border="0"  src="https://freight.cargo.site/w/1000/i/d7d12cf13d241f87639d119a94bf9107fab493f3bc55af51c2ec7cb332cfe8df/25--Let-me-entertain-you.png" /&#62;


	LET ME ENTERTAIN YOU
An exhibition curated by Georgia Stephenson and Nina Davies, featuring works by Nina Davis, Flora Hunt, and Michael Hautemulle. It invited viewers to reflect on their interactions with moving bodies and performing objects. The exhibition explored the intersection of entertainment, sport, and fine art by reinterpreting language and action and reconfiguring bodies and objects.

Read more
	London
2018

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&#38;nbsp;&#38;nbsp;


&#60;img width="1005" height="586" width_o="1005" height_o="586" data-src="https://freight.cargo.site/t/original/i/05a5608ea0da76eebbf752c1d957b2b9c853d95115d38434075edcb5a2d4b06a/Dissertation.png" data-mid="173998370" border="0"  src="https://freight.cargo.site/w/1000/i/05a5608ea0da76eebbf752c1d957b2b9c853d95115d38434075edcb5a2d4b06a/Dissertation.png" /&#62;


	COMFORTED BY THE ANTHROPOCENE
This essay explores the impact of moving a rock from its original landscape, creating a unique interaction with cosmic significance. It examines how rocks, as "hyperobjects," challenge our perception of space and time, especially in the face of ecological crises. By contrasting traditional views with Donna Haraway's "Chthulucene" and object-oriented ontology, it suggests a re-evaluation of human and rock relationships in our finite existence.

Read more
	Glasgow
2017
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&#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="1024" height="682" width_o="1024" height_o="682" data-src="https://freight.cargo.site/t/original/i/627c9a68f306ddb90d0d4692b50bec3323750b92780b3c91f2de6f173ecdd894/23--Act-III-Scene-1.jpg" data-mid="173987502" border="0"  src="https://freight.cargo.site/w/1000/i/627c9a68f306ddb90d0d4692b50bec3323750b92780b3c91f2de6f173ecdd894/23--Act-III-Scene-1.jpg" /&#62;


	ACT III, SCENE 1
Explores the contrast between human cultural achievements and the immensity of geological time. Flint rocks are placed on a table, and as the volume and tone of Richard Wagner’s Siegfried from Der Ring des Nibelungen (1871) fill the space, the rocks are moved by the sound waves. 

Read more
	Glasgow&#38;nbsp;
2017

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	&#38;nbsp;
&#60;img width="1280" height="716" width_o="1280" height_o="716" data-src="https://freight.cargo.site/t/original/i/9414170d860c53f0de19197e4424fee526a514a204eb7d5a1bf9f759b1711691/22b--Reasearch-into-a-cultural-Apex-and-the-voice-.png" data-mid="173991432" border="0"  src="https://freight.cargo.site/w/1000/i/9414170d860c53f0de19197e4424fee526a514a204eb7d5a1bf9f759b1711691/22b--Reasearch-into-a-cultural-Apex-and-the-voice-.png" /&#62;


	RESEARCH INTO A CULTURAL APEX AND THE VOICE
Follows the artist over the course of several months as she embarks on a journey into the world of opera, documenting each lesson with professional opera singer Brian McBride. This work contemplates opera as a pinnacle of human cultural achievement.

Read more
	Glasgow
2016-17
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&#60;img width="1280" height="704" width_o="1280" height_o="704" data-src="https://freight.cargo.site/t/original/i/b9e971c8b3c66d7109391a7dbbbf46bca8bd08918186ca6eb4e417a11d104442/21--Fire2.png" data-mid="173987224" border="0"  src="https://freight.cargo.site/w/1000/i/b9e971c8b3c66d7109391a7dbbbf46bca8bd08918186ca6eb4e417a11d104442/21--Fire2.png" /&#62;

	FIRE; ATTEMPT 2
A continuation of&#38;nbsp;Fire; Attempt-1

Read more
	Glasgow
2017

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&#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="1024" height="684" width_o="1024" height_o="684" data-src="https://freight.cargo.site/t/original/i/53170c12827529cef73a90b23bc07d726d36ebbf0c215dda62ed4031bfe38d79/20--Echoes.png" data-mid="173987069" border="0"  src="https://freight.cargo.site/w/1000/i/53170c12827529cef73a90b23bc07d726d36ebbf0c215dda62ed4031bfe38d79/20--Echoes.png" /&#62;


	ECHOES (PART ONE)
Flint collected from Balloërveld, NL, and transported to Glasgow, UK, with the intention of making fire (see 'FIRE; ATTEMPT 1' and 'FIRE; ATTEMPT 2'). These stones, remnants from the Weichselian Ice Age (475,000 to 410,000 years ago), prompted a reflection on the vast temporal span they represent compared to human life. The artist’s initial disregard for their ancient origins led to a profound understanding of the immense difference between the stones' existence and her mortality.

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	Glasgow /&#38;nbsp;Balloërveld2016-17

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&#60;img width="564" height="550" width_o="564" height_o="550" data-src="https://freight.cargo.site/t/original/i/76e34e7215f545d208229cbb1aa4f40676b82d969a30f2325aae8f255285234c/19--Aesthetics.jpg" data-mid="173986830" border="0"  src="https://freight.cargo.site/w/564/i/76e34e7215f545d208229cbb1aa4f40676b82d969a30f2325aae8f255285234c/19--Aesthetics.jpg" /&#62;


	OBSERVATIONS AND PROPOSITIONS
An auto-ethnographic essay exploring Hautemulle’s reassessment of her femininity (at that time) through her experiences in professional wrestling. Confronted with a male-dominated environment, Michael challenges her gender assumptions and examines how her identity, and potentially others', is perceived and performed. The essay offers insights into the fluidity of gender and how environments shape her understanding of femininity.

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	Glasgow2016

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&#60;img width="1280" height="714" width_o="1280" height_o="714" data-src="https://freight.cargo.site/t/original/i/cba116b77cbd8e30348c5ddc929aa41e0c93b94478a87726b69559c5a752853e/18--I-heart-Medusa.jpg" data-mid="173985082" border="0"  src="https://freight.cargo.site/w/1000/i/cba116b77cbd8e30348c5ddc929aa41e0c93b94478a87726b69559c5a752853e/18--I-heart-Medusa.jpg" /&#62;

	I ♥ MEDUSA
I ♥ Medusa is a continuation of Hautemulle’s exploration of wrestling and pottery, where she intertwines the ancient with the contemporary. This work, exhibited at the Reid Gallery in Glasgow, juxtaposes realtime video documentation of professional wrestling classes with the ceramics co-created by the wrestlers in a coil-building workshop organized by the artist.

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	Glasgow2016
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&#60;img width="800" height="446" width_o="800" height_o="446" data-src="https://freight.cargo.site/t/original/i/8d35c8072775969357c754b55f95db6e9df73770a6d471f8559f9cba1cec3345/17b--i....png" data-mid="173986671" border="0"  src="https://freight.cargo.site/w/800/i/8d35c8072775969357c754b55f95db6e9df73770a6d471f8559f9cba1cec3345/17b--i....png" /&#62;

	i...
i... is an exploration where the artist immersed herself in the world of Greco-Roman wrestling by participating in professional classes twice a week for three months. This work delves deeply into the foundations of sport and competition, using the ancient discipline of Greco-Roman wrestling as a lens through which to examine broader human experiences.

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	Glasgow2015-16
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&#60;img width="750" height="422" width_o="750" height_o="422" data-src="https://freight.cargo.site/t/original/i/969d386a6c7366177477abc7a72fe11ab5b78672dc3925ea7423ad30ef277cf9/16b-Display-of-textiles.png" data-mid="174391099" border="0"  src="https://freight.cargo.site/w/750/i/969d386a6c7366177477abc7a72fe11ab5b78672dc3925ea7423ad30ef277cf9/16b-Display-of-textiles.png" /&#62;
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	QUESTIONING THE INTERSECTIONS OF TEXTILES AND LANDSCAPES
Hand-woven textile samples presented as landscape vignettes, prompting questions about the historical and cultural significance of weaving and its contrast with mass-produced textiles.

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	Glasgow2016

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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="750" height="563" width_o="750" height_o="563" data-src="https://freight.cargo.site/t/original/i/719bd8209c4722594ae29df59a8e2d61df7eed040d9f6ec31e166c8374ac0f8f/15--Foundations-in-weaving.png" data-mid="173981961" border="0"  src="https://freight.cargo.site/w/750/i/719bd8209c4722594ae29df59a8e2d61df7eed040d9f6ec31e166c8374ac0f8f/15--Foundations-in-weaving.png" /&#62;


	FOUNDATIONS IN WEAVING
With a Foundation in Weaving, the artist explores the impact of industrialization on textiles and craftsmanship, using woven pieces to provoke reflection on the cultural significance and historical development of mass-produced clothing

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	Glasgow
2016

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&#60;img width="252" height="240" width_o="252" height_o="240" data-src="https://freight.cargo.site/t/original/i/490f3c96e12d9f08c98f87a23da4b94a01f5f035da9c0ee0892de0fbfe0fe0bd/14--Archives.jpg" data-mid="173982035" border="0"  src="https://freight.cargo.site/w/252/i/490f3c96e12d9f08c98f87a23da4b94a01f5f035da9c0ee0892de0fbfe0fe0bd/14--Archives.jpg" /&#62;


	1ARCHIVIST + 1ARCHIVIST = 1ARCHIVIST (?)
Exploring the parallels between Satin Bowerbirds' courtship rituals and archiving, the Michael examines how both collect and display objects to attract mates or preserve memories, reflecting on identity and the digital persona.

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	Glasgow
2015

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&#60;img width="800" height="449" width_o="800" height_o="449" data-src="https://freight.cargo.site/t/original/i/fd89becd51f994e656abd8261a791c43733b38bc3c79c25a50874765aae7b4e2/Attempt-1.png" data-mid="173976925" border="0"  src="https://freight.cargo.site/w/800/i/fd89becd51f994e656abd8261a791c43733b38bc3c79c25a50874765aae7b4e2/Attempt-1.png" /&#62;
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	FIRE; ATTEMPT 1
A film in which Michael attempts to create fire using only natural materials underscores the contrast between modern detachment from primal forces and their crucial role in human evolution.

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	Glasgow
2015

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&#60;img width="3456" height="3456" width_o="3456" height_o="3456" data-src="https://freight.cargo.site/t/original/i/d0078be9e71cbf3b9bcbcb7639e2a20445de32fd9e724af942e6a1917de1424e/IMG_2912-copy.png" data-mid="173805644" border="0"  src="https://freight.cargo.site/w/1000/i/d0078be9e71cbf3b9bcbcb7639e2a20445de32fd9e724af942e6a1917de1424e/IMG_2912-copy.png" /&#62;


	GATHERED AND DRIED FOR BURNING
A collection of organic materials sourced along the road to Carbeth, meticulously gathered to create a natural tinderbox and build fires.

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	Glasgow
2015

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&#60;img width="595" height="842" width_o="595" height_o="842" data-src="https://freight.cargo.site/t/original/i/859da95c9010e27767fd42dcae69c04bc5a5eed315217c7c2c4746eabe14d438/IMG_3371.png" data-mid="173980114" border="0"  src="https://freight.cargo.site/w/595/i/859da95c9010e27767fd42dcae69c04bc5a5eed315217c7c2c4746eabe14d438/IMG_3371.png" /&#62;



	UNTITLED SERIES
This series of drawings explores various line techniques and compositions through deliberate experimentation with cropping and line quality.

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	Glasgow
2015
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&#60;img width="2474" height="1368" width_o="2474" height_o="1368" data-src="https://freight.cargo.site/t/original/i/1f5947cc1578ebe11630250d6754d6fb4f4a4d8572381385da4bd23d7050a6c6/IMG_0975-copy.png" data-mid="149929404" border="0"  src="https://freight.cargo.site/w/1000/i/1f5947cc1578ebe11630250d6754d6fb4f4a4d8572381385da4bd23d7050a6c6/IMG_0975-copy.png" /&#62;


	SHYLOCK ON THE FAR SIDE OF THE AEGEAN
An installation where Michael embodies both Mimi and Father Hughes in a filmed "call and response" explores themes of affirmation, validation, and communication, symbolized by melting butter.

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	Amsterdam2014

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&#60;img width="622" height="318" width_o="622" height_o="318" data-src="https://freight.cargo.site/t/original/i/76123cb5ffc1b7376474c7e3d7333cd579f77a0cce75dfc04a6bad37343a5f17/7-Odyssy.png" data-mid="149929167" border="0"  src="https://freight.cargo.site/w/622/i/76123cb5ffc1b7376474c7e3d7333cd579f77a0cce75dfc04a6bad37343a5f17/7-Odyssy.png" /&#62;




	ILLUSTRATIONS OF HOMER’S ODYSSEY
Questioning the epic's enduring themes, particularly the cyclical nature of life and the challenges of return journeys. These illustrations explore how the Odyssey's depiction of perseverance, transformation, and the quest for home resonates with broader human experiences.

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	Amsterdam
2014-

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&#60;img width="652" height="369" width_o="652" height_o="369" data-src="https://freight.cargo.site/t/original/i/fb8abaab27bdceaaf7c6328fd2d5547ccf7493e43e5d6c3bf42865ebfe613f1a/6-I-Fell-into-a-Burning-Ring-of-Fire.jpg" data-mid="149830909" border="0"  src="https://freight.cargo.site/w/652/i/fb8abaab27bdceaaf7c6328fd2d5547ccf7493e43e5d6c3bf42865ebfe613f1a/6-I-Fell-into-a-Burning-Ring-of-Fire.jpg" /&#62;


	I FELL INTO A BURNING RING OF FIRE

A comparative study of electromagnetic radiation and fire in regards to the collective unconscious, when applied to the notion of the nostalgia of food consumption.

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	Amsterdam2014
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&#60;img width="1132" height="1134" width_o="1132" height_o="1134" data-src="https://freight.cargo.site/t/original/i/40b686576691d632b0223ebb7431ad7ec4ba1c211768eb67cdce15fbd3f6903f/7--View-Master.png" data-mid="173679976" border="0"  src="https://freight.cargo.site/w/1000/i/40b686576691d632b0223ebb7431ad7ec4ba1c211768eb67cdce15fbd3f6903f/7--View-Master.png" /&#62;


	VIEW MASTER
This work, inspired by alchemical research on the union of opposites, particularly male and female energies, was born from a dream of a breasted bull.*Content Warning: This work includes nudity.


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	Amsterdam
2014
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&#60;img width="1878" height="1908" width_o="1878" height_o="1908" data-src="https://freight.cargo.site/t/original/i/ba6f96a1003c241e06141a35a441992d5c6332851ffc46e0a060979cc6b53dd1/5-Seder.png" data-mid="149830084" border="0"  src="https://freight.cargo.site/w/1000/i/ba6f96a1003c241e06141a35a441992d5c6332851ffc46e0a060979cc6b53dd1/5-Seder.png" /&#62;

	SEDER
The culmination of a research-based project, this meal for 18 guests explored traditional boundaries and offered a new perspective on ritual and sacredness.

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	Amsterdam
2013

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&#60;img width="1728" height="1064" width_o="1728" height_o="1064" data-src="https://freight.cargo.site/t/original/i/535435d47a5d248414aa5a2345c81ee56b13f7a1ae96fe0417f0682e9ac068cf/5-The-Seventh-Day.png" data-mid="173982034" border="0"  src="https://freight.cargo.site/w/1000/i/535435d47a5d248414aa5a2345c81ee56b13f7a1ae96fe0417f0682e9ac068cf/5-The-Seventh-Day.png" /&#62;
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THE SEVENTH DAY
Explored the sacred and the profane through unconventional mediums, such as bananas tattooed with a homemade cherry wood tattoo gun. By reimagining everyday objects as symbols of sanctity and taboo, the project invited a reconsideration of traditional notions of ritual and sacredness.

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	Amsterdam2013

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&#60;img width="995" height="990" width_o="995" height_o="990" data-src="https://freight.cargo.site/t/original/i/268a348617c2e7e01f8a60c37d3402fb8143ed12c658b94c7efcfe6f9bd02879/3-Swan.png" data-mid="149821834" border="0"  src="https://freight.cargo.site/w/995/i/268a348617c2e7e01f8a60c37d3402fb8143ed12c658b94c7efcfe6f9bd02879/3-Swan.png" /&#62;

	SWAN
An illustrated storybook, created with pen and ink, and its accompanying video, explore the dynamics of interpersonal challenges and conflict. Emerging from a week-long intensive residency, these works reflect a process of transformation and discovery. They engage with broader themes of resilience and adaptation, albeit through the decidedly bourgeois lens of dealing with a frustrating flatmate and the specific upper-middle-class struggles of two young art students.

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	Amsterdam
2013
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&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/9b5b77ec8f0d7712014411f9b2aeba8b214f946cdd170922e3bd0ab66c037b85/2-Material-and-refrences.png" data-mid="149818841" border="0"  src="https://freight.cargo.site/w/1000/i/9b5b77ec8f0d7712014411f9b2aeba8b214f946cdd170922e3bd0ab66c037b85/2-Material-and-refrences.png" /&#62;

	MATERIAL REFERENCE AND PRACTICE
Investigating how mundane time and objects can be endowed with ‘sacredness’ through the delineation of time, repetition of action, labor-intensive processes, and/or the use of ‘noble’ materials. This performative and material research draws inspiration from Jewish heritage, aiming to negate religious connotations by incorporating elements such as Treif (bacon in this instance). Additionally, the work engages with Union iconography to explore themes of craft, labor, skill, and the structuring of time, to include periods of labor and rest.


Read more

	Amsterdam2012

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&#60;img width="1766" height="1789" width_o="1766" height_o="1789" data-src="https://freight.cargo.site/t/original/i/cdc9ee5caade691f7341a76c085a2b5f81e32921e4a368c0c43e13b21a1a1c7e/2-Embroidery_Film_Puppet.png" data-mid="173653602" border="0"  src="https://freight.cargo.site/w/1000/i/cdc9ee5caade691f7341a76c085a2b5f81e32921e4a368c0c43e13b21a1a1c7e/2-Embroidery_Film_Puppet.png" /&#62;


	PARABLES OF THE ABSURD
The Lion and other characters were inspired by 'Life is a Dream' by Frances Calderón de la Barca. The mixed media works explore personal histories by staging random encounters of fictional characters through embroidery, pen and ink drawings, video and paper puppets.&#38;nbsp;


Read more
	Amsterdam
2012
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&#60;img width="640" height="361" width_o="640" height_o="361" data-src="https://freight.cargo.site/t/original/i/8217f003d812dc8e7533cbf2de688be8907aae9e0bccbbd8765c9b3ca327e065/1-Death-by-Mouse-and-Chicken.png" data-mid="149817621" border="0"  src="https://freight.cargo.site/w/640/i/8217f003d812dc8e7533cbf2de688be8907aae9e0bccbbd8765c9b3ca327e065/1-Death-by-Mouse-and-Chicken.png" /&#62;

	DEATH BY MOUSE AND CHICKEN
How do you want to be remembered after you die?

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	Amsterdam2010

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</description>
		
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	<item>
		<title>Artist Bio</title>
				
		<link>https://michaelhautemulle.com/Artist-Bio</link>

		<pubDate>Thu, 28 Mar 2024 14:32:15 +0000</pubDate>

		<dc:creator>MAMH</dc:creator>

		<guid isPermaLink="true">https://michaelhautemulle.com/Artist-Bio</guid>

		<description>
Artist Bio



	Michael Hautemulle, born in 1991 in Brussels to an American mother and a French father, spent her early life in Flagstaff, AZ. She pursued her interest for the arts by studying applied arts in Nevers and later fashion in Antwerp.

With a Master’s in Fine Art from the Glasgow School of Art and a Bachelor’s from the Gerrit Rietveld Academie in Amsterdam, Hautemulle's work has been exhibited internationally, including shows in London. She collaborates with fellow artists and has contributed to various publications.

Hautemulle has mentored and lectured at several educational institutions. Currently based in Aberdeen, she is an active member of the artistic community, exploring new avenues of work and research at Arkade Studios.


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	</item>
		
		
	<item>
		<title>CV</title>
				
		<link>https://michaelhautemulle.com/CV</link>

		<pubDate>Thu, 28 Mar 2024 15:12:08 +0000</pubDate>

		<dc:creator>MAMH</dc:creator>

		<guid isPermaLink="true">https://michaelhautemulle.com/CV</guid>

		<description>
	Curriculum Vitae


b. 1991
Brussels
Lives and works in Aberdeen, UK.



Education











Master of Fine Arts, Glasgow School of Art, Glasgow, UK - 2015-2017

Bachelor of Fine Arts, Gerrit Rietveld Academie, Amsterdam, NL - 2010-2014

First Year Fashion Design, Artesis Hogeschool Antwerpen, Antwerp, BE - 2009-2010


Professional ExperienceArtist Workshop, Spring Relief Bas-Relief Casting Workshop, Snug Project, Aberdeen, UK - 2024










Technician, Scottish Sculpture Workshop; Lumsden, AB54 4JN – 2019- 2022














Pour Crew, International Conference on Contemporary Cast Iron Art; Berlin – 2022Guest Lecturer, Grays School of Art, Aberdeen, UK - 2022
Workshop Facilitator, Scottish Sculpture Workshop; Lumsden, AB54 4JN – 2018
 










Mentor, Prescott College; Prescott, AZ, 86301– 2018










Artist Assistant, Clare Butcher; Amsterdam and Nagele – 2014-2015 














Intern, Gijs Assmann; Amsterdam – 2013-2014
Selected Exhibitions

Bodies at Rest (Solo Exhibtion), Arkade Gallery Aberdeen, UK – 21 September to 7 October 2024&#38;nbsp;&#38;nbsp;

Alt D: Through Drawing, Arkade Gallery; Aberdeen, UK – 2023











Sculpture Exhibition, Gellan Cottage; Coull, UK – 2023. 




&#38;nbsp;



Life is Too Short to be Serious All the Time, Lumen Studios; London, UK – 2018

Let Me Entertain You; Enclave; London, UK – 2018&#38;nbsp;












Glasgow Scool of Art MFA Degree Show, The Glue Factory; Glasgow, UK – 2017











Glasgow Scool of Art&#38;nbsp;MFA Interim Show, The Reid Gallery; Glasgow, UK – 2016











Degree Show Gerrit Rietveld Academie, Gerrit Rietveld Academie; Amsterdam&#38;nbsp;– 2014
Wife of the Gynecologist,&#38;nbsp;Holland Festival,&#38;nbsp;Francati Theater; Amsterdam – 2012 



Publications
Post By Chris Sansbury,&#38;nbsp;Michael Hautemulle Brings New Thought Provoking Work to Arkade Gallery&#38;nbsp;– 2024










New Rituals Neue Rituale By 









Oktavia Schreiner,











On Filling Voids, Protective Structures, Jelly and Souls, By Michael Hautemulle&#38;nbsp;– 2021 















At Vanishing Point By Michael Hautemulle, Comforted by the Anthropocene – 2017 















The Scotsman By Susan Mansfield, Art review: Glasgow School of Art Degree Shows – 2017 















Lost Painters By Niek Hendrix, Eindexamen Expositie; Rietveld Amsterdam – 2014 















Trendbeheer By Jeroen Bosch, Eindexamen 2014 Gerrit Rietveld Academie – 2014 
















Residencies 











Scottish Sculpture Workshop; Lumsden – 2018&#38;nbsp;




Grants
Aberdeen City VACMA Bursary — 2024 
Aberdeen City VACMA Bursary — 2023 

Elephant Trust grant — 2018 










 















&#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>Artist Statement Continued</title>
				
		<link>https://michaelhautemulle.com/Artist-Statement-Continued</link>

		<pubDate>Thu, 28 Mar 2024 12:58:59 +0000</pubDate>

		<dc:creator>MAMH</dc:creator>

		<guid isPermaLink="true">https://michaelhautemulle.com/Artist-Statement-Continued</guid>

		<description>
Artist Statement Continued

	Michael Hautemulle employs a variety of media to probe the concept of time as a finite and measurable entity (and the irony that exists within that attempt). Through sculpture, film, audio, drawing, painting, writing, embroidery, performance, and installation, she delves into the intricacies of mortality's influence on our perception of time and values. Each medium issuing a unique lens through which to examine the existential questions posed by the omnipresence of death. Hautemulle juxtaposes contrasting elements to create open-ended allegorical narratives that challenge the derivative notions of virtue and vice, inviting viewers to contemplate their own temporal existence within our impermanency. 

</description>
		
	</item>
		
		
	<item>
		<title>Bodies at Rest</title>
				
		<link>https://michaelhautemulle.com/Bodies-at-Rest</link>

		<pubDate>Thu, 22 Aug 2024 15:09:50 +0000</pubDate>

		<dc:creator>MAMH</dc:creator>

		<guid isPermaLink="true">https://michaelhautemulle.com/Bodies-at-Rest</guid>

		<description>BODIES AT REST
2024A solo exhibition by Michael Hautemulle&#38;nbsp;Arkade Gallery, Aberdeen
Bodies at Rest explores the complexities of rest—not just as an act of relaxation, but as a multifaceted state encompassing stillness, recuperation, complacency, stagnation, death, all forces enacted on a body in a state of equilibrium, etc.

The works question what it means to rest in a world where our time, our bodies, and our energy are commodified. Where there is no rest without labor, and labor is only toil when there is no surcease.

The exhibition also examines the inherent tension between labor and love—how laboring at something you love differs from laboring for something you love, and the toll taken when there is no remuneration; love and labor unrequited. Where does resting become labor, or love, and when is it merely omphaloskepsis? Not that these need be mutually exclusive terms.

Juxtaposing the pastoral with the provocative, the exhibition uses diverse, often rough materials, often leaving construction marks in place, to delve into the tension between the idyllic and the labor required to manifest it—and whether the “ideal” is even an achievable state.

Through its multifaceted approach, Bodies at Rest invites viewers to contemplate their own experiences of rest and the delicate balance between force and stasis.

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&#60;img width="828" height="1792" width_o="828" height_o="1792" data-src="https://freight.cargo.site/t/original/i/666ae8487ba1e5782ad30539a079e33c3830db5221d525c1191bb9cfa2b3bffb/IMG_6290_ED.jpg" data-mid="232900293" border="0"  src="https://freight.cargo.site/w/828/i/666ae8487ba1e5782ad30539a079e33c3830db5221d525c1191bb9cfa2b3bffb/IMG_6290_ED.jpg" /&#62;


&#60;img width="3830" height="2872" width_o="3830" height_o="2872" data-src="https://freight.cargo.site/t/original/i/308ae30f7bbbde4779cac322aae609eb211194d052b5faba933abf79f8c1043b/IMG_7935_ED.png" data-mid="232909680" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/308ae30f7bbbde4779cac322aae609eb211194d052b5faba933abf79f8c1043b/IMG_7935_ED.png" /&#62;

EXHIBITED WORKS
92% — Acrylic ink, india ink on paper (2023). Bell — Cast iron, hair of the artist (2024). Labours of Suspended Observation I — Cast iron, supported by The Visual Artist and Craft Makers Awards (VACMA) Aberdeen City. Labours of Suspended Observation II — Cast iron, supported by The Visual Artist and Craft Makers Awards (VACMA) Aberdeen City. Love Mussel — Bronze (2023). Off Duty — Stickers (2024). Pulse — Video (2024). Smell the Roses — Embroidered patch, thank you to all those who supported bringing the exhibition together (2024). Smell the Roses — Packing blankets, lettered appliqué, fringe (2024). Throb — Audio work (2024). Unoccupied 1 — Pencil on paper (2024). Unoccupied 2 — Pencil on paper (2024). Unoccupied 3 — Pencil on paper (2024). Unoccupied 4 — Pencil on paper (2024). With Enough Time and Money I’d Be Free — AR, made in collaboration with Craig Barrowman (2024).


 
&#60;img width="1920" height="2715" width_o="1920" height_o="2715" data-src="https://freight.cargo.site/t/original/i/c4504a084f89e5764695de6a148fb5c7dd26994d30985ec44c2b79889aeb94e6/Donkey-invite-HD-digital.jpg" data-mid="216800370" border="0"  src="https://freight.cargo.site/w/1000/i/c4504a084f89e5764695de6a148fb5c7dd26994d30985ec44c2b79889aeb94e6/Donkey-invite-HD-digital.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Spring Relief Casting Workshop</title>
				
		<link>https://michaelhautemulle.com/Spring-Relief-Casting-Workshop</link>

		<pubDate>Tue, 16 Jul 2024 15:42:44 +0000</pubDate>

		<dc:creator>MAMH</dc:creator>

		<guid isPermaLink="true">https://michaelhautemulle.com/Spring-Relief-Casting-Workshop</guid>

		<description>Spring ReliefCasting workshop
2024


As part of the Snug Project artist-led workshop initiative, Michael Hautemulle conducted the Spring Relief workshop, celebrating the transition from winter to spring. Participants had the opportunity to create bas-relief Jesmonite plaques, with an optional spring theme, through a hands-on process of molding, carving, and texturing flat patterns using alginate molds.

Stay tuned as more bas-relief casting workshops are in the works for the future.


&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/873795e36c48d20e329eaf9999703231283ea62ec7b5c35860f444795c936c41/IMG_4215-copy.JPEG" data-mid="216794879" border="0"  src="https://freight.cargo.site/w/1000/i/873795e36c48d20e329eaf9999703231283ea62ec7b5c35860f444795c936c41/IMG_4215-copy.JPEG" /&#62;


&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/8e2a0c23485fa03e3ae1477fd3e42d57c1a6df1ad55a4e6fabe8f2dae4fd90f1/IMG_4224-copy.JPEG" data-mid="216794883" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/8e2a0c23485fa03e3ae1477fd3e42d57c1a6df1ad55a4e6fabe8f2dae4fd90f1/IMG_4224-copy.JPEG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/26a5060cecd6fb5b125a05a2d5c9fac535933ef610a384fa8fda329a41086e8d/IMG_4217-copy.JPEG" data-mid="216794880" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/26a5060cecd6fb5b125a05a2d5c9fac535933ef610a384fa8fda329a41086e8d/IMG_4217-copy.JPEG" /&#62;

&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/f70a8344b9d97c467e4a43ed3e4955afdcc05fe02ded1685da4588012860a4d3/IMG_4219-copy.JPEG" data-mid="216794881" border="0"  src="https://freight.cargo.site/w/1000/i/f70a8344b9d97c467e4a43ed3e4955afdcc05fe02ded1685da4588012860a4d3/IMG_4219-copy.JPEG" /&#62;
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/bd075610e9c8349fddc770e469f108d2415b4cde6451db6b99ab7892c97209b6/IMG_4228-copy.JPEG" data-mid="216794885" border="0"  src="https://freight.cargo.site/w/1000/i/bd075610e9c8349fddc770e469f108d2415b4cde6451db6b99ab7892c97209b6/IMG_4228-copy.JPEG" /&#62;


&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/54d63a08a851a78c693845836501911507283eac9d9aa7aa3bc7b46106ee84c3/IMG_4223-copy.JPEG" data-mid="216794882" border="0"  src="https://freight.cargo.site/w/1000/i/54d63a08a851a78c693845836501911507283eac9d9aa7aa3bc7b46106ee84c3/IMG_4223-copy.JPEG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a8167b16d670c0eae65d18c6f8e40a7e49f7fbac6a3445cb15e4b513317eba8c/IMG_4226-copy.JPEG" data-mid="216794884" border="0"  src="https://freight.cargo.site/w/1000/i/a8167b16d670c0eae65d18c6f8e40a7e49f7fbac6a3445cb15e4b513317eba8c/IMG_4226-copy.JPEG" /&#62;

&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/696301e2cdaca9af577368a995412860368a93c0820f19891ee4836f1ab76c3b/IMG_4233-copy.JPEG" data-mid="216794886" border="0"  src="https://freight.cargo.site/w/1000/i/696301e2cdaca9af577368a995412860368a93c0820f19891ee4836f1ab76c3b/IMG_4233-copy.JPEG" /&#62;
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/e25156494f679492d546baa12ef8cc0268918c80ab9a957e714bcf003132c877/IMG_4235-copy.JPEG" data-mid="216794887" border="0"  src="https://freight.cargo.site/w/1000/i/e25156494f679492d546baa12ef8cc0268918c80ab9a957e714bcf003132c877/IMG_4235-copy.JPEG" /&#62;

Examples of participant's work:


&#60;img width="1225" height="1221" width_o="1225" height_o="1221" data-src="https://freight.cargo.site/t/original/i/8b385352b8d88c33b5508bc43046f81357c0790ff57e40391d88df33c304d173/IMG_4247-copy.JPEG" data-mid="216794888" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/8b385352b8d88c33b5508bc43046f81357c0790ff57e40391d88df33c304d173/IMG_4247-copy.JPEG" /&#62;
&#60;img width="2295" height="2316" width_o="2295" height_o="2316" data-src="https://freight.cargo.site/t/original/i/ad0630436e0c62b401513eca98a99baa2a05c858285dea64ae63f923e8574e0d/IMG_4248-copy.jpg" data-mid="216794889" border="0"  src="https://freight.cargo.site/w/1000/i/ad0630436e0c62b401513eca98a99baa2a05c858285dea64ae63f923e8574e0d/IMG_4248-copy.jpg" /&#62;
&#60;img width="2710" height="2671" width_o="2710" height_o="2671" data-src="https://freight.cargo.site/t/original/i/2a63d9bbfb77496decf5e45abafa09649d9452fab2c7852dbefd18921a491299/IMG_4250-copy.jpg" data-mid="216794890" border="0"  src="https://freight.cargo.site/w/1000/i/2a63d9bbfb77496decf5e45abafa09649d9452fab2c7852dbefd18921a491299/IMG_4250-copy.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Love Mussel</title>
				
		<link>https://michaelhautemulle.com/Love-Mussel</link>

		<pubDate>Sun, 07 Apr 2024 21:08:12 +0000</pubDate>

		<dc:creator>MAMH</dc:creator>

		<guid isPermaLink="true">https://michaelhautemulle.com/Love-Mussel</guid>

		<description>
LOVE MUSSELSculpture, video&#38;nbsp;2023
Questions our fixation on ideals like beauty and purity, revealing how, in our pursuit of these constructs, we often consume and destroy. Yet, we still cling to tokens of these ideals—such as a bronze mussel—as if they can be bought or preserved. The video and the bronze mussels, both titled Love Mussel, are independent works exploring these themes. These lovely bronze mussels are available for purchase and make excellent pocket sculptures.







Mussels available for purchase; contact Michael directly for further information. *Only one of them has been in the artist’s mouth.</description>
		
	</item>
		
		
	<item>
		<title>Seagull</title>
				
		<link>https://michaelhautemulle.com/Seagull</link>

		<pubDate>Tue, 16 Jul 2024 14:49:09 +0000</pubDate>

		<dc:creator>MAMH</dc:creator>

		<guid isPermaLink="true">https://michaelhautemulle.com/Seagull</guid>

		<description>SEAGULLPen and ink
2023
This pen and ink drawing juxtaposes the seagull—once closely associated with the open sea—with its adaptation to urban life as it steals an ice cream cone and flies out to sea. In the background, wind turbines and oil rigs rise above the water, suggesting the interaction between nature and industry. The seagull, now thriving in human-altered environments, reflects the adaptability of wildlife in changing conditions. Following similar themes as Love Mussel, this piece invites reflection on how these birds, once emblematic of freedom, now navigate a world shaped by human consumption and industrialization. This drawing marks the beginning of a series that may further explore these themes, potentially including additional works such as Love Mussel, cast bronze mussels, and further seagull illustrations.

&#60;img width="1141" height="1141" width_o="1141" height_o="1141" data-src="https://freight.cargo.site/t/original/i/8c2d2b82830f101caa5f369808715226adfb98e7ed9468e96415a66f8c9a3924/1-copy.jpeg" data-mid="214741800" border="0"  src="https://freight.cargo.site/w/1000/i/8c2d2b82830f101caa5f369808715226adfb98e7ed9468e96415a66f8c9a3924/1-copy.jpeg" /&#62;
Exhibited as part of Alt D: Through Drawing at Arkade Gallery, 2023
</description>
		
	</item>
		
		
	<item>
		<title>International Iron Conference</title>
				
		<link>https://michaelhautemulle.com/International-Iron-Conference</link>

		<pubDate>Tue, 16 Jul 2024 14:52:46 +0000</pubDate>

		<dc:creator>MAMH</dc:creator>

		<guid isPermaLink="true">https://michaelhautemulle.com/International-Iron-Conference</guid>

		<description>INTERNATIONAL IRON CONFERENCE - BERLINPerformance and sculpture
2022Pour Crew for artists George Beasley and Eden Jolly; the X

&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/c90d80134f0cd2af2351bd9a805ebc21f034b221033aca6c32d85d5ebe0a939e/c8b80373-959e-44a1-8c86-63ce36ebf7f7.jpg" data-mid="214744110" border="0"  src="https://freight.cargo.site/w/1000/i/c90d80134f0cd2af2351bd9a805ebc21f034b221033aca6c32d85d5ebe0a939e/c8b80373-959e-44a1-8c86-63ce36ebf7f7.jpg" /&#62;
&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/c7502fbf3c05025e438e4bc760d00a3d393fb0fcce3429497e6aea0d6a8695b9/df53cbcf-abfc-4a52-9954-f688dcccbb9f.jpg" data-mid="214744113" border="0"  src="https://freight.cargo.site/w/1000/i/c7502fbf3c05025e438e4bc760d00a3d393fb0fcce3429497e6aea0d6a8695b9/df53cbcf-abfc-4a52-9954-f688dcccbb9f.jpg" /&#62;

&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e561603ac4dd07c6f9c3bcf7ea62865c0cf9cd808e90a330fc8817bcd93f6d80/e4c65900-c135-4d97-b8bb-ddff0596985d.jpg" data-mid="214744117" border="0"  src="https://freight.cargo.site/w/1000/i/e561603ac4dd07c6f9c3bcf7ea62865c0cf9cd808e90a330fc8817bcd93f6d80/e4c65900-c135-4d97-b8bb-ddff0596985d.jpg" /&#62;
Sebastian Thomas, Michael Hautemulle, George Beasley, Eden Jolly, Stephen Murray, Matt Toole
</description>
		
	</item>
		
		
	<item>
		<title>Ferriers Stand</title>
				
		<link>https://michaelhautemulle.com/Ferriers-Stand</link>

		<pubDate>Tue, 16 Jul 2024 15:43:24 +0000</pubDate>

		<dc:creator>MAMH</dc:creator>

		<guid isPermaLink="true">https://michaelhautemulle.com/Ferriers-Stand</guid>

		<description>FERRIERS STANDAntique agricultural equipment, chain, horseshoes, forged mild steel, old propane bottle, steel L-section
2022



&#60;img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/23d12162e32857c6862e93d51581e5bb04b4768d0a44bdafc2d30be1a52386bf/F655A3E9-D7D7-45DF-BC3A-1F5148DFAE31.JPG" data-mid="214757808" border="0"  src="https://freight.cargo.site/w/1000/i/23d12162e32857c6862e93d51581e5bb04b4768d0a44bdafc2d30be1a52386bf/F655A3E9-D7D7-45DF-BC3A-1F5148DFAE31.JPG" /&#62;
&#60;img width="1440" height="1801" width_o="1440" height_o="1801" data-src="https://freight.cargo.site/t/original/i/bbab17f20beb2a7fc9349e2d318dc2b99e0dbffa8e5cb009ab4a3d47cb3597fa/6DC67F3A-8381-4EB1-A10B-674A39676EDD.JPG" data-mid="214757818" border="0"  src="https://freight.cargo.site/w/1000/i/bbab17f20beb2a7fc9349e2d318dc2b99e0dbffa8e5cb009ab4a3d47cb3597fa/6DC67F3A-8381-4EB1-A10B-674A39676EDD.JPG" /&#62;</description>
		
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